When Joan accidentally cuts her finger in the kitchen, she faints and dies, which gets her to heaven without the space ship. Cohn is willing to go along, but Abe refuses, so Joan remains and sets up housekeeping in the cabin. She calls Abe and Cohn to join her in a space ship on a pilgrimage to Heaven - before the coming holocaust. Though her arrival is at first greeted by a shotgun blast, Abe and Cohn are eventually charmed by the saint, and she gets them to re-consider many of their preconceived ideas to such an extent that Abe and Cohn eventually switch positions: Abe becomes the skeptical realist and Cohn becomes the true believer. This leads to another visitor who is none other than Joan of Arc, accompanied by her “Voices”. When Cohn wishes for a new roommate, his wish is promptly granted by the arrival of a mad magus named Wiseman. In fact Abe and Cohn represent one character, that has been split into two opposing sides of the same spirit: Cohn is the realist, who believing only in empirical reality, Abe is the romantic. Abe is a former stockbroker, and Cohn is an unemployed musician.
In a cabin in the woods, two bickering old Jewish recluses, Abe and Cohn, have retired, and haven't moved in two decades. Knock Knock is in theaters and On Demand as of October 9, 2015.Poster and program cover Synopsis What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse. When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. They’re surely looking for the guy who says, “No.” Were you not happy with your wife and your family? Are we bad? Or are you? Next: Keanu Reeves Talks Bill & Ted 3, Knock Knock & John Wick 2 And with that, sometimes, that’s all you need to know. Or was it a general Girl Power thing?ĪNA: We knew that these girls were broken, that somebody in the early years had abused and traumatized them. It really worked.ĭid either of you have any kind of backstory to your characters? Why they entrap this male prey. So we were really pushing him to the limit, playing with him and touching him and whispering things to him before the scene. He’s not open about talking about his life in general. He doesn’t know what to do! Keanu is shy and feels uncomfortable. When we’re all in the living room, playing around. How did you work together as a team in those scenes?ĪNA: That’s my favorite scene in the movie.
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Especially early in the movie when Eli builds his sexual tension along with horror-movie tension. When Belle is dancing is with Keanu, it’s one of my favorite scenes – and then with me and in the window and we’re slapping our butts!Įach of you does comedy, so you already have that physicality. LORENZA: I had fun at everything! The play is what you enjoy the most. What was more fun? Playing the sexy vixen, damsel-in-distress? Or the crazy psychos in the kitchen? It’s a movie that falls completely on our shoulders.ĪNA: It was so much fun just going from little girls to pure psycho!
And to bring into the mix these three actors! I couldn’t have done it with without the chemistry that I had with Ana and Keanu. LORENZA: I think to play with such conflict and deep, traumatic insanity is always fascinating. How does it feel, as actresses, to step into this genre? You got to step into the role of what’s traditionally a male horror villain.
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We had the chance to sit down with the two ladies to discuss the art of seduction – as well as how to make Keanu Reeves uncomfortable before the cameras even start rolling! Fresh from Roth’s last film, The Green Inferno, Lorenza Izzo is joined by the adorably beautiful Ana de Armas.
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